"It’s important again to emphasize that Michael isn’t a human character, but a stand-in for evil. And so everyone who tries to understand Michael dies, from the British podcasters who cynically want to sell his story as clickbait without respecting his true and heinous nature to Dr. Sartain, the “new Loomis.” The case of Sartain is an important one because, having spent years analyzing Michael and formulating theories about his motivations, he falls in love with his own abstractions. One of the best moments of the film, and the scene where the mute power of evil is most powerfully on display, is when Sartain longs for Michael to speak to him, demands it, in fact. “Say something!” he screams at evil. Without missing a beat, evil smashes his head in."
My latest for The American Conservative, here.
Writer - Critic - Poet - Editor