The archives point to several sources for this metamorphosis into a novel of ideas. Gustave Flaubert’s The Temptation of St. Anthony was a major influence on the novel. The account of the saint’s temptations in the desert inspired McCarthy to transform his western into a story of spiritual warfare in the deserts of Mexico and America. McCarthy’s reading of Michel Foucault’s Madness and Civilization, which features discussions of Renaissance paintings of the temptations of saints, also informs the narrative. Jacob Boehme’s vision of the devil as a frightening but necessary component of the divine reality at the heart of things also had a significant impact. Indeed, along with McCarthy’s papers for Suttree, the archival material related to Blood Meridian contains numerous cultural reference points that help to locate McCarthy’s creative efforts within a dynamic intellectual network of books, writers, and ideas.
Writer - Critic - Poet - Editor